{"id":416,"date":"2023-11-03T18:25:27","date_gmt":"2023-11-03T17:25:27","guid":{"rendered":"https:\/\/culturalcomes.net\/presentacio-maca\/"},"modified":"2025-03-24T10:41:53","modified_gmt":"2025-03-24T09:41:53","slug":"presentacio-pmca","status":"publish","type":"page","link":"https:\/\/culturalcomes.net\/ca\/congres-pmca\/presentacio-pmca\/","title":{"rendered":"IV Congr\u00e9s PMCA"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"512\" src=\"https:\/\/culturalcomes.net\/wp-content\/uploads\/2024\/09\/pmca25-1024x512.jpg\" alt=\"\" class=\"wp-image-4082\" style=\"width:652px;height:auto\" srcset=\"https:\/\/culturalcomes.net\/wp-content\/uploads\/2024\/09\/pmca25-1024x512.jpg 1024w, https:\/\/culturalcomes.net\/wp-content\/uploads\/2024\/09\/pmca25-768x384.jpg 768w, https:\/\/culturalcomes.net\/wp-content\/uploads\/2024\/09\/pmca25-600x300.jpg 600w, https:\/\/culturalcomes.net\/wp-content\/uploads\/2024\/09\/pmca25.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h1 class=\"wp-block-heading has-text-align-center\">IV CONGR\u00c9S INTERNACIONAL<br><strong>El Patrimoni Musical de la Corona d&#8217;Arag\u00f3<\/strong><\/h1>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-medium-font-size\"><em>ELS M\u00daSICS: DE LA INDIVIDUALITAT A LA COL\u00b7LECTIVITAT<\/em><\/h2>\n\n\n\n<p class=\"has-text-align-center\"><br><strong>Val\u00e8ncia, del 27 al 29 de mar\u00e7 de 2025<\/strong><\/p>\n\n\n<style>.kt-accordion-id416_461498-60 .kt-accordion-inner-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:0px;}.kt-accordion-id416_461498-60 .kt-accordion-panel-inner{border-top:0px solid transparent;border-right:0px solid transparent;border-bottom:0px solid transparent;border-left:0px solid transparent;padding-top:var(--global-kb-spacing-sm, 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):not( .kt-accodion-icon-style-xclosecircle ):not( .kt-accodion-icon-style-arrowcircle )  > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap .kt-blocks-accordion-icon-trigger:before{background:#555555;}.kt-accordion-id416_461498-60:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-blocks-accordion-icon-trigger{background:#555555;}.kt-accordion-id416_461498-60:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-blocks-accordion-icon-trigger:after, .kt-accordion-id416_461498-60:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-blocks-accordion-icon-trigger:before{background:#f2f2f2;}.kt-accordion-id416_461498-60 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header:hover, \n\t\t\t\tbody:not(.hide-focus-outline) 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.kt-accodion-icon-style-arrowcircle ) .kt-blocks-accordion--visible .kt-blocks-accordion-icon-trigger:after, body:not(.hide-focus-outline) .kt-accordion-id416_461498-60:not( .kt-accodion-icon-style-basiccircle ):not( .kt-accodion-icon-style-xclosecircle ):not( .kt-accodion-icon-style-arrowcircle ) .kt-blocks-accordion-header:focus-visible .kt-blocks-accordion-icon-trigger:before{background:#444444;}.kt-accordion-id416_461498-60:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-accordion-header-wrap .kt-blocks-accordion-header:hover .kt-blocks-accordion-icon-trigger, body:not(.hide-focus-outline) .kt-accordion-id416_461498-60:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-accordion-header-wrap .kt-blocks-accordion-header:focus-visible .kt-blocks-accordion-icon-trigger{background:#444444;}.kt-accordion-id416_461498-60:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-accordion-header-wrap .kt-blocks-accordion-header:hover .kt-blocks-accordion-icon-trigger:after, .kt-accordion-id416_461498-60:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-accordion-header-wrap .kt-blocks-accordion-header:hover .kt-blocks-accordion-icon-trigger:before, body:not(.hide-focus-outline) .kt-accordion-id416_461498-60:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-accordion-header-wrap .kt-blocks-accordion-header:focus-visible .kt-blocks-accordion-icon-trigger:after, body:not(.hide-focus-outline) .kt-accordion-id416_461498-60:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-accordion-header-wrap .kt-blocks-accordion-header:focus-visible .kt-blocks-accordion-icon-trigger:before{background:#eeeeee;}.kt-accordion-id416_461498-60 .kt-accordion-header-wrap .kt-blocks-accordion-header:focus-visible,\n\t\t\t\t.kt-accordion-id416_461498-60 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header.kt-accordion-panel-active{color:#ffffff;background:#444444;border-top-color:#444444;border-top-style:solid;border-right-color:#444444;border-right-style:solid;border-bottom-color:#444444;border-bottom-style:solid;border-left-color:#444444;border-left-style:solid;}.kt-accordion-id416_461498-60:not( .kt-accodion-icon-style-basiccircle ):not( .kt-accodion-icon-style-xclosecircle ):not( .kt-accodion-icon-style-arrowcircle )  > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header.kt-accordion-panel-active .kt-blocks-accordion-icon-trigger:after, .kt-accordion-id416_461498-60:not( .kt-accodion-icon-style-basiccircle ):not( 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.kt-blocks-accordion-header:focus-visible{border-top-color:#eeeeee;border-top-style:solid;border-right-color:#eeeeee;border-right-style:solid;border-bottom-color:#eeeeee;border-bottom-style:solid;border-left-color:#eeeeee;border-left-style:solid;}}@media all and (max-width: 1024px){.kt-accordion-id416_461498-60 .kt-accordion-header-wrap .kt-blocks-accordion-header:focus-visible,\n\t\t\t\t.kt-accordion-id416_461498-60 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header.kt-accordion-panel-active{border-top-color:#444444;border-top-style:solid;border-right-color:#444444;border-right-style:solid;border-bottom-color:#444444;border-bottom-style:solid;border-left-color:#444444;border-left-style:solid;}}@media all and (max-width: 767px){.kt-accordion-id416_461498-60 .kt-accordion-inner-wrap{display:block;}.kt-accordion-id416_461498-60 .kt-accordion-inner-wrap .kt-accordion-pane:not(:first-child){margin-top:0px;}.kt-accordion-id416_461498-60 .kt-accordion-panel-inner{border-top:0px solid transparent;border-right:0px solid transparent;border-bottom:0px solid transparent;border-left:0px solid transparent;}.kt-accordion-id416_461498-60 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header{border-top:1px solid #fcb900;border-right:1px solid #fcb900;border-bottom:1px solid #fcb900;border-left:1px solid #fcb900;}.kt-accordion-id416_461498-60 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header:hover, \n\t\t\t\tbody:not(.hide-focus-outline) .kt-accordion-id416_461498-60 .kt-blocks-accordion-header:focus-visible{border-top-color:#eeeeee;border-top-style:solid;border-right-color:#eeeeee;border-right-style:solid;border-bottom-color:#eeeeee;border-bottom-style:solid;border-left-color:#eeeeee;border-left-style:solid;}.kt-accordion-id416_461498-60 .kt-accordion-header-wrap .kt-blocks-accordion-header:focus-visible,\n\t\t\t\t.kt-accordion-id416_461498-60 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header.kt-accordion-panel-active{border-top-color:#444444;border-top-style:solid;border-right-color:#444444;border-right-style:solid;border-bottom-color:#444444;border-bottom-style:solid;border-left-color:#444444;border-left-style:solid;}}<\/style>\n<div class=\"wp-block-kadence-accordion alignnone\"><div class=\"kt-accordion-wrap kt-accordion-id416_461498-60 kt-accordion-has-2-panes kt-active-pane-0 kt-accordion-block kt-pane-header-alignment-left kt-accodion-icon-style-basic kt-accodion-icon-side-right\" style=\"max-width:none\"><div class=\"kt-accordion-inner-wrap\" data-allow-multiple-open=\"false\" data-start-open=\"none\">\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-1 kt-pane416_b800b8-b7\"><div class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">Presentaci\u00f3<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/div><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<p><strong>Els congressos sobre <em>Patrimoni musical de la Corona d\u2019Arag\u00f3<\/em><\/strong><\/p>\n\n\n\n<p>En 2019 va posar-se en marxa una iniciativa pionera de l\u2019Associaci\u00f3 Cultural Comes i la Fundaci\u00f3 Cultural CdM. Es tractava de l\u2019organitzaci\u00f3 d&#8217;un congr\u00e9s cient\u00edfic internacional biennal sobre la m\u00fasica a la Corona d&#8217;Arag\u00f3 (S. XII-XVII), antiga entitat pol\u00edtica i cultural els territoris de la qual actualment es troben repartits entre els estats espanyol, itali\u00e0 i franc\u00e9s. Per\u00f2 els objectiusd&#8217;aquesta iniciativa anaven m\u00e9s enll\u00e0 del pur debat cient\u00edfic. De fet, no sols es pretenia l\u2019avan\u00e7 de la musicologia hist\u00f2rica sin\u00f3 tamb\u00e9 animar a la reflexi\u00f3 sobre els camins que en l&#8217;actualitat s\u00f3n d&#8217;utilitat per a transmetre a altres professionals i a la societat els coneixements procedents de la investigaci\u00f3 tot establint, per tant, un di\u00e0leg entre els diversos agents que formen part del proc\u00e9s integral d&#8217;adquisici\u00f3 i transfer\u00e8ncia del coneixement, com ara music\u00f2legs, historiadors, pedagogs, int\u00e8rprets o comunicadors. Els satisfactoris resultats de les tres primeres trobades han encoratjatl&#8217;organitzaci\u00f3 d\u2019aquesta quarta edici\u00f3.<\/p>\n\n\n\n<div style=\"height:28px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>IV Congr\u00e9s internacional <em>El patrimoni musical de la Corona d&#8217;Arag\u00f3<\/em><\/strong><br><br>La historiografia musical tradicional s\u2019ha estructurat al voltant de dos eixos: els grans compositors i els estils musicals. El primer, canalitzat a trav\u00e9s de les biografies, ha sigut tamb\u00e9 el m\u00e9s \u00fatil per arribar a tots els p\u00fablics, no nom\u00e9s per ser m\u00e9s comprensible a tothom, sin\u00f3 tamb\u00e9 per l\u2019empatia i l\u2019admiraci\u00f3 general que genera el coneixement de la vida d\u2019una gran personalitat. D\u2019altra banda, el segon eix, el dels estils musicals, ha sigut m\u00e9s una parcel\u00b7la dels especialistes.<\/p>\n\n\n\n<p>La biografia \u00e9s, com \u00e9s sabut, un g\u00e8nere procedent de l&#8217;Antiguitat per\u00f2 es va incorporar tardanament al camp musical. De fet, pot considerar-se l&#8217;obra de l&#8217;angl\u00e8s John Mainwaring sobre G. F. H\u00e4ndel, publicada a Londres en 1760, com a primer exemple destacable del g\u00e8nere en aquest camp. Des d\u2019aleshores, els compositors foren els protagonistes pr\u00e0cticament absoluts de la biografia musical fins al segle XX, quan els grans int\u00e8rprets contemporanis comen\u00e7aren a ser tamb\u00e9 objecte de biografies, tot i que generalment han estat en un segon pla. Per\u00f2 en l\u2019\u00e0mbit que ens ocupa, la Corona d\u2019Arag\u00f3, del segle XII a comen\u00e7aments del XVIII, els int\u00e8rprets han sigut completament ignorats com a protagonistes d\u2019estudis biogr\u00e0fics m\u00e9s enll\u00e0 d\u2019apunts puntuals.   <\/p>\n\n\n\n<p>A partir de mitjan segle XX, el renovat positivisme de l&#8217;Escola dels Annals i la seua continuadora la Nova Hist\u00f2ria, interessades en els processos i estructures socials van arraconar el g\u00e8nere biogr\u00e0fic,per considerar que una vida no podia explicar una estructura socioecon\u00f2mica, un sistema pol\u00edtic o una revoluci\u00f3, al temps que va promoure els estudis d\u2019hist\u00f2ria social i de prosopograf\u00eda. Per\u00f2 aquests corrents tamb\u00e9 varen tindre molt esc\u00e0s impacte en els estudis musicol\u00f2gics, at\u00e8s que no es van generar a penes aquests tipus de treballs sobre les col\u00b7lectivitats de m\u00fasics, paral\u00b7lels als que s&#8217;escometien en altres camps de la hist\u00f2ria. Despr\u00e9s de l&#8217;esgotament d&#8217;aquestos corrents, la postmodernitat ha revaloritzat a partir dels anys 70 la biografia com a g\u00e8nere per la seua capacitat per a posar en relleu la individualitat de la persona i dels esdeveniments singulars i irrepetibles com a mostra paradigm\u00e0tica de la pluralitat i complexitat d&#8217;un m\u00f3n competitiu i individualista. Aix\u00ed mateix, el recent corrent metodol\u00f2gic de la hist\u00f2ria de la m\u00fasica anomenat Musicologia Urbana ha animat a la producci\u00f3 d&#8217;estudis sobre el col\u00b7lectius de m\u00fasics, especialment l\u2019associacionisme musical independent i els col\u00b7lectius de m\u00fasics laics, que s&#8217;han afegit als tradicionals treballs sobre les institucions religioses i les capelles cortesanes els quals, d\u2019alguna manera posaven ja en el mapa els conjunts de m\u00fasics al servei d\u2019aquestes institucions, tot i que no solien abordar aspectes socials.    <\/p>\n\n\n\n<p>Per tant, aquesta major apertura metodol\u00f2gica actual convida a dedicar un congr\u00e9s als m\u00fasics, terme ent\u00e8s en el sentit m\u00e9s ampli del seu significat actual, on puguen tindre cabuda estudis amb diversos enfocaments i objectius.<\/p>\n\n\n\n<p>El IV Congr\u00e9s Internacional <em>El patrimoni musical de la Corona d\u2019Arag\u00f3<\/em>, que se celebrar\u00e0 a Val\u00e8ncia del 27 al 29 de mar\u00e7 de 2025, estar\u00e0 dedicat als m\u00fasics, art\u00edfexs del patrimoni musical com a protagonistes de la creaci\u00f3 o la interpretaci\u00f3 de la m\u00fasica, i estar\u00e0 obert a estudis plantejats des de la individualitat o des de la col\u00b7lectivitat a trav\u00e9s de qualsevol plantejament metodol\u00f2gic com ara el biogr\u00e0fic, socioecon\u00f2mic, prosopogr\u00e0fic, institucional o associacionista.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-right\">Dirigeixen: Rosa Isusi-Fagoaga i Francesc Villanueva Serrano<br>Organitzen: Associaci\u00f3 Cultural Comes i Fundaci\u00f3 Cultural CdM<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-2 kt-pane416_1daa5a-a3\"><div class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">Call for papers<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/div><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\"><style>.kt-svg-icons416_5904d5-20 .kt-svg-item-0 .kb-svg-icon-wrap{color:var(--global-palette4, #2D3748);font-size:50px;}.wp-block-kadence-icon.kt-svg-icons416_5904d5-20{justify-content:flex-start;}<\/style>\n<div class=\"wp-block-kadence-icon kt-svg-icons kt-svg-icons416_5904d5-20 alignright\"><style>.kt-svg-item-416_9c22ef-59 .kb-svg-icon-wrap, .kt-svg-style-stacked.kt-svg-item-416_9c22ef-59 .kb-svg-icon-wrap{font-size:50px;}<\/style>\n<div class=\"wp-block-kadence-single-icon kt-svg-style-default kt-svg-icon-wrap kt-svg-item-416_9c22ef-59\"><span class=\"kb-svg-icon-wrap kb-svg-icon-fe_folder\"><svg viewBox=\"0 0 24 24\"  fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  aria-hidden=\"true\"><path d=\"M22 19a2 2 0 0 1-2 2H4a2 2 0 0 1-2-2V5a2 2 0 0 1 2-2h5l2 3h9a2 2 0 0 1 2 2z\"\/><\/svg><\/span><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:85%\">\n<p style=\"font-size:25px\"> <strong><a href=\"https:\/\/culturalcomes.net\/wp-content\/uploads\/2024\/09\/Call_for_papers_CA-2025.pdf\">BASES<\/a><\/strong> <\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>IV CONGR\u00c9S INTERNACIONAL 27\/29 MAR\u00c7 2025<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">El patrimoni musical de la Corona d&#8217;Arag\u00f3<\/h1>\n\n\n\n<p>INVESTIGACI\u00d3, TRANSFER\u00c8NCIA I EDUCACI\u00d3<\/p>\n\n\n\n<p>El congr\u00e9s est\u00e0 obert a la presentaci\u00f3 de comunicacions. Orientativament, podran versar sobre els seg\u00fcents temes en l\u2019\u00e0mbit espaciotemporal de l\u2019antiga Corona d\u2019Arag\u00f3 (s.XII-1707):<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>M\u00fasica a les corts reials o nobili\u00e0ries<\/li>\n\n\n\n<li>Mecenatge musical de l&#8217;Esgl\u00e9sia<\/li>\n\n\n\n<li>Activitat musical promoguda per les institucions civils<\/li>\n\n\n\n<li>Xarxes musicals a les ciutats<\/li>\n\n\n\n<li>M\u00fasica i cerim\u00f2nies c\u00edviques i religioses<\/li>\n\n\n\n<li>Paisatges sonors<\/li>\n\n\n\n<li>Pr\u00e0ctica musical en \u00e0mbits privats<\/li>\n\n\n\n<li>Fabricaci\u00f3 d\u2019instruments<\/li>\n\n\n\n<li>Biografies i prosopografia de m\u00fasics<\/li>\n\n\n\n<li>Hist\u00f2ria social dels m\u00fasics<\/li>\n\n\n\n<li>Repertoris de cant pla, polifonia i m\u00fasica instrumental&nbsp;<\/li>\n\n\n\n<li>Fonts musicals<\/li>\n\n\n\n<li>Ensenyament de la m\u00fasica i tractats musicals<\/li>\n<\/ul>\n\n\n\n<p>Es donar\u00e0 prefer\u00e8ncia a estudis que posen en relaci\u00f3 diversos territoris de la Corona d&#8217;Arag\u00f3 o que comparen la situaci\u00f3 dins la Corona amb altres entitats pol\u00edtiques.<\/p>\n\n\n\n<p>Tamb\u00e9 s\u2019acceptaran comunicacions sobre els seg\u00fcents temes:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Transfer\u00e8ncia de coneixement, innovaci\u00f3, difusi\u00f3 social<\/li>\n\n\n\n<li>Tecnologia digital, bases de dades<\/li>\n\n\n\n<li>Edicions musicals<\/li>\n\n\n\n<li>&nbsp;Formaci\u00f3 de investigadors i docents en el patrimoni musical de la Corona d&#8217;Arag\u00f3<\/li>\n\n\n\n<li>Creaci\u00f3 de recursos educatius actuals<\/li>\n<\/ul>\n\n\n\n<p>Les presentacions tindran una durada de&nbsp;<strong>15 minuts&nbsp;<\/strong>i es podran realitzar en&nbsp;<strong>castell\u00e0, valenci\u00e0\/ catal\u00e0<\/strong>,&nbsp;<strong>itali\u00e0&nbsp;<\/strong>o&nbsp;<strong>angl\u00e9s<\/strong>. En casos justificats, la presentaci\u00f3 presencial podr\u00e0 ser substitu\u00efda per una gravaci\u00f3 en v\u00eddeo, que haur\u00e0 d&#8217;enviar-se a la Secretaria del Congr\u00e9s abans del&nbsp;<strong>20 de mar\u00e7 de 2025&nbsp;<\/strong>i es reproduir\u00e0 durant el temps assignat a la comunicaci\u00f3.<\/p>\n\n\n\n<p>Els investigadors interessats en participar hauran d&#8217;enviar un&nbsp;<strong>document Word&nbsp;<\/strong>a la Secretaria del Congr\u00e9s (info.fund@culturalcdm.eu) amb la seg\u00fcent informaci\u00f3:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Nom de l\u2019autor<\/strong><\/li>\n\n\n\n<li><strong>T\u00edtol de la comunicaci\u00f3<\/strong><\/li>\n\n\n\n<li><strong>Resum&nbsp;<\/strong>de 250 a 300 paraules, sense indicis de la identitat de l\u2019autor<\/li>\n\n\n\n<li><strong>Curr\u00edculum vitae&nbsp;<\/strong>de l&#8217;autor (entre 75 i 125 paraules)<\/li>\n<\/ul>\n\n\n\n<p>El termini de recepci\u00f3 de propostes finalitza el&nbsp;<strong>20 de gener de 2025<\/strong>.<\/p>\n\n\n\n<p>El&nbsp;<strong>Comit\u00e8 Cient\u00edfic&nbsp;<\/strong>ser\u00e0 l&#8217;encarregat de seleccionar les comunicacions, i la Secretaria notificar\u00e0 els resultats personalment abans del&nbsp;<strong>12 de febrer de 2025<\/strong>. Els seleccionats hauran de registrar- se en un termini de dues setmanes i efectuar el pagament de&nbsp;<strong>30\u20ac&nbsp;<\/strong>en concepte de matr\u00edcula.<\/p>\n\n\n\n<p><strong>Comit\u00e9 cient\u00edfic<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ana Botella Nicol\u00e1s (Universitat de Val\u00e8ncia)<\/li>\n\n\n\n<li>Paulino Capdep\u00f3n Verd\u00fa (Universidad Castilla La Mancha)<\/li>\n\n\n\n<li>Mar\u00eda Teresa Ferrer Ballester (VIU)<\/li>\n\n\n\n<li>Luis Antonio Gonz\u00e1lez Mar\u00edn (Instituci\u00f3n Mil\u00e0 i Fontanals (CSIC))<\/li>\n\n\n\n<li>Tess Knighton (ICREA\/Universitat Aut\u00f2noma de Barcelona)<\/li>\n<\/ul>\n\n\n\n<p><strong>Direcci\u00f3<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Rosa Isusi Fagoaga<\/li>\n\n\n\n<li>Francesc Villanueva Serrano<\/li>\n<\/ul>\n\n\n\n<p><strong>Secretaria<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Tamara Real<\/li>\n<\/ul>\n\n\n\n<p><strong>Organitza<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Asociaci\u00f3n Cultural Comes<\/li>\n\n\n\n<li>Fundaci\u00f3 Cultural CdM<\/li>\n<\/ul>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-3 kt-pane416_bcb36f-6f\"><div class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">Programa<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/div><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<h2 class=\"wp-block-heading has-cyan-bluish-gray-background-color has-background\"><strong><strong>27 DE MAR\u00c7 DE 2025<\/strong><\/strong> \/ AULA MAGNA<\/h2>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\">09:30. Lliurament d\u2019acreditacions. <\/p>\n\n\n\n<p class=\"has-small-font-size\">10:30. Inauguraci\u00f3 del congr\u00e9s a c\u00e0rrec de Marta Alonso&nbsp;(Directora General de Patrimoni), Adela Cortijo (Directora del Servei de Cultura Universit\u00e0ria) i Carles Magraner (Director&nbsp; Capella de Ministrers).&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size\">10:45. Presentaci\u00f3. Rosa Isusi Fagoaga \/ Francesc Villanueva.<\/p>\n\n\n\n<p class=\"has-small-font-size\">11:00. Pon\u00e8ncia marc.<br><strong>Clara Bejarano Pellicer. <\/strong><em>Tras las huellas de los m\u00fasicos del Antiguo R\u00e9gimen: un curriculum en construcci\u00f3n<\/em>.<\/p>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\">11:45. <em>Descans<\/em>.<\/p>\n\n\n\n<p><strong><strong>SESSI\u00d3 1. LA INDIVIDUALITAT DEL M\u00daSIC<\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Pon\u00e8ncies<\/strong>.<\/p>\n\n\n\n<p class=\"has-small-font-size\">12:30.<strong> Carles Vela Aulesa.<\/strong> <em>Joan de Par\u00eds, m\u00fasic de reis, reines, infants i infantes.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">13:00.<strong> Rafael S\u00e1nchez Mombiedro. <\/strong><em>Jos\u00e9 Hinojosa, un maestro de capilla al servicio del Real Colegio-Seminario del Corpus Christi (Patriarca) de Valencia.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">13:30. <em>Debat<\/em>.<\/p>\n\n\n\n<p><strong>SESSI\u00d3 2. TRANSFER\u00c8NCIA DE CONEIXEMENT I EDUCACI\u00d3<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong><strong>Pon\u00e8ncies<\/strong><\/strong>.<\/p>\n\n\n\n<p class=\"has-small-font-size\">16:00.<strong> Isabel Mar\u00eda Melero Mu\u00f1oz y Clara Bejarano Pellicer<\/strong> (Universidad de Sevilla): <em>El proyecto Encrucijada de mundos: la historia moderna de Andaluc\u00eda online.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">16:20. <strong>Marta Mart\u00ednez Rodr\u00edguez <\/strong>(Universidad Aut\u00f3noma de Madrid). <em>La educaci\u00f3n como factor clave en la salvaguarda del patrimonio musical.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">16:40. <strong>Juan Vicente Gil Fuentes <\/strong>(IES La Senda &#8211;  Universitat de Val\u00e8ncia). <em>El patrimonio musical valenciano en los medios de comunicaci\u00f3n.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">17:00. <strong>Pascual Hern\u00e1ndez Farin\u00f3s<\/strong> (Conservatorio Superior de M\u00fasica de Valencia). <em>Patrimonio musical y Ense\u00f1anzas Superiores de M\u00fasica: Una reflexi\u00f3n en el espacio valenciano<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">17:20. <strong>Guillem Escorihuela Carbonell <\/strong>(Universitat de Val\u00e8ncia). <em>El patrimoni en la programaci\u00f3 musical de la Universitat de Val\u00e8ncia.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">17:40. <em>Debat.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">19:30.&nbsp;<strong>Concert<\/strong>. <strong>Capella de Ministrers<\/strong>. <strong>Carles Magraner.<\/strong>&nbsp;<em>Alegor\u00eda del amor<\/em>.<\/p>\n\n\n<style>.kt-accordion-id416_cd8239-6e .kt-accordion-inner-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:8px;}.kt-accordion-id416_cd8239-6e .kt-accordion-panel-inner{padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-right:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);padding-left:var(--global-kb-spacing-sm, 1.5rem);}.kt-accordion-id416_cd8239-6e > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header{padding-top:var(--global-kb-spacing-xxs, 0.5rem);padding-right:var(--global-kb-spacing-xs, 1rem);padding-bottom:var(--global-kb-spacing-xxs, 0.5rem);padding-left:var(--global-kb-spacing-xs, 1rem);}@media all and (max-width: 767px){.kt-accordion-id416_cd8239-6e .kt-accordion-inner-wrap{display:block;}.kt-accordion-id416_cd8239-6e .kt-accordion-inner-wrap .kt-accordion-pane:not(:first-child){margin-top:8px;}}<\/style>\n<div class=\"wp-block-kadence-accordion alignnone\"><div class=\"kt-accordion-wrap kt-accordion-id416_cd8239-6e kt-accordion-has-2-panes kt-active-pane-0 kt-accordion-block kt-pane-header-alignment-left kt-accodion-icon-style-basic kt-accodion-icon-side-right\" style=\"max-width:none\"><div class=\"kt-accordion-inner-wrap\" data-allow-multiple-open=\"false\" data-start-open=\"0\">\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-1 kt-pane416_b000e0-3e\"><div class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">M\u00c9S INFORMACI\u00d3<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/div><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<p class=\"has-text-align-center has-black-color has-white-background-color has-text-color has-background has-link-color wp-elements-66414608fd124c56b61a9db8d9eb5681\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" class=\"wp-image-4344\" style=\"width: 500px;\" src=\"https:\/\/culturalcomes.net\/wp-content\/uploads\/2025\/02\/CdM2457_square.jpeg\" alt=\"\" srcset=\"https:\/\/culturalcomes.net\/wp-content\/uploads\/2025\/02\/CdM2457_square.jpeg 1000w, https:\/\/culturalcomes.net\/wp-content\/uploads\/2025\/02\/CdM2457_square-150x150.jpeg 150w, https:\/\/culturalcomes.net\/wp-content\/uploads\/2025\/02\/CdM2457_square-768x768.jpeg 768w, https:\/\/culturalcomes.net\/wp-content\/uploads\/2025\/02\/CdM2457_square-600x600.jpeg 600w, https:\/\/culturalcomes.net\/wp-content\/uploads\/2025\/02\/CdM2457_square-300x300.jpeg 300w, https:\/\/culturalcomes.net\/wp-content\/uploads\/2025\/02\/CdM2457_square-100x100.jpeg 100w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><br><br>27 DE MAR\u00c7, 19:30 H<br>Capella de la Sapi\u00e8ncia, CC La Nau<br>Acc\u00e9s lliure fins a completar aforament<br><br><br><strong>ALEGOR\u00cdA DEL AMOR<br><\/strong><em><strong>Cants d\u2019orgue i villancets amorosos en el Can\u00e7oner d\u2019Uppsala.<\/strong><\/em><br><br>M\u00fasica a Val\u00e8ncia en els segles XV-XVI. \u00abVillancicos de varios autores, a dos, y a tres, y a cuatro, y a cinco voces, ahora nuevamente corregidos\u2026\u00bb (Ven\u00e8cia, 1556) \u00e9s el nom amb qu\u00e8 el Can\u00e7oner del duc de Cal\u00e0bria (o Can\u00e7oner d\u2019Uppsala) va ser impr\u00e9s. La selecci\u00f3 de villancets que cont\u00e9 aquest \u00e0lbum est\u00e0 agrupada en tres tem\u00e0tiques: villancets populars i pastorils, villancets de Nadal i villancets amatoris. Podem escoltar una selecci\u00f3 d\u2019obres a dues i tres veus, algunes d\u2019instrumentals, sota el t\u00edtol de \u00abTonos de canto de \u00f3rgano\u00bb, que es configuren com a exercicis de composici\u00f3 al voltant dels modes gregorians.<br><br>CAPELLA DE MINISTRERS\u2028<br>CARLES MAGRANER, direcci\u00f3<br><br>Beatriz Lafont, soprano\u2028<br>Carles Magraner, viola d\u2019arc<br>\u2028Fernando Mar\u00edn, viola d\u2019arc\u2028<br>Robert Cases, viola de m\u00e0 i guitarra renaixentista<br><br><strong>ACTIVITAT LLIURE. NO \u00c9S NECESS\u00c0RIA L\u2019ENTRADA DEL CONGR\u00c9S<\/strong><\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-cyan-bluish-gray-background-color has-background\"><strong>28 DE MAR\u00c7 DE 2025<\/strong> \/ AULA MAGNA<\/h2>\n\n\n\n<p><strong><strong>SESSI\u00d3 3. PERFILS I DIN\u00c0MIQUES PROFESSIONALS<\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Pon\u00e8ncies<\/strong>.<\/p>\n\n\n\n<p class=\"has-small-font-size\">10:00.<em> <\/em><strong>Jessica Ottelli.<\/strong> <em>The Aragonese Musical Chapel through the Eyes of the Duchy of Milan in the 15th Century.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">10:30. <strong>Carlos Bonal Asensio.<\/strong> <em>La copla de ministriles de El Pilar de Zaragoza y su actividad &#8216;interinstitucional&#8217; en la ciudad durante los siglos XVI y XVII<\/em>.<\/p>\n\n\n\n<p class=\"has-small-font-size\">11:00.<em> <\/em><strong>Mireya Royo Conesa.<\/strong> <em>Itinerarios y tr\u00e1nsitos, estancias y ausencias: el oficio de m\u00fasico en la Corona de Arag\u00f3n durante el siglo XVII.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">11:30. <em>Descans<\/em>.<\/p>\n\n\n\n<p class=\"has-small-font-size\">12:00.<em> <\/em><strong>Jos\u00e9 Ignacio Palacios Sanz \/ Mar\u00eda Jos\u00e9 Iglesias Past\u00e9n.<\/strong> La capella extravagant de<em> <\/em>cantors i ministrils<em> de la ciudad de Valencia (1614\u20131660).&nbsp;<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">12:30.<em> <\/em><strong>Sara Escuer Salcedo.<\/strong> <em>De infantes a maestros de capilla: formaci\u00f3n musical, disciplina, oficio y beneficio.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">13:00.<em> <\/em><strong>Antonio Ezquerro Esteban.<\/strong> <em>Los m\u00fasicos en un peculiar entramado urbano: Calatayud y sus colegiatas, hasta los Decretos de Nueva Planta.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">13:30. <em>Debat<\/em>.<\/p>\n\n\n\n<p><strong><strong>SESSI\u00d2 4. COL\u00b7LECTIUS DE M\u00daSICS<\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Pon\u00e8ncies<\/strong>.<\/p>\n\n\n\n<p class=\"has-small-font-size\">16:00.<em> <\/em><strong>Anna Fern\u00e0ndez-Clot.<\/strong> <em>Els m\u00fasics del rei Pere el Cerimoni\u00f3s: noves aportacions sobre els \u00abjoglars de cornamusa\u00bb a la cort d\u2019Arag\u00f3.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">16:30.<em> <\/em><strong>Stefano Cingolani.<\/strong> <em>La Capella musical de Joan I, infant i rei: entre l\u2019ambici\u00f3 pol\u00edtica i la innovaci\u00f3 musical<\/em>.<\/p>\n\n\n\n<p class=\"has-small-font-size\">17:00. <strong>Cristina M\u00e9nzel Sans\u00f3.<\/strong> <em>La capella de m\u00fasica de la Catedral de Mallorca.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">17:30. <strong>Ruta per la Val\u00e8ncia dels m\u00fasics<\/strong>.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><em>Recorregut per la ciutat de Val\u00e8ncia, detenint-se en llocs d\u2019inter\u00e9s en relaci\u00f3 amb l\u2019activitat professional o la vida personal dels m\u00fasics que la van habitar als segles XVI i XVII.<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading has-cyan-bluish-gray-background-color has-background\"><strong>29 DE MAR\u00c7 DE 2025<\/strong> \/ AULA MAGNA<\/h2>\n\n\n\n<p><strong>SESI\u00d3N 5.&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\">09:30. <strong>Comunicacions lliures (I)<\/strong>.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Santiago Gal\u00e1n G\u00f3mez.<em> <\/em><\/strong><em>\u201cQuod natura non dat\u2026 Salamanca lo presta\u201d: traducciones al catal\u00e1n y circulaci\u00f3n de la teor\u00eda musical salmantina hacia 1500.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Carlos Castillo Gonz\u00e1lez. <\/strong><em>La Pasi\u00f3n del duque de Calabria: recepci\u00f3n en la Catedral de Orihuela entre finales del siglo XVI y el siglo XVIII.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>V\u00edctor Campos Navarro. <\/strong><em>An\u00e0lisi musical i ret\u00f2ric dels cants marians de Marcos P\u00e9rez.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Inmaculada Mart\u00ednez Ayora.<em> <\/em><\/strong><em>Sobre patrimonio y amortizaciones: La creaci\u00f3n de las capillas musicales de San Mart\u00edn y San Juan del Mercado de Valencia.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">10:30. <em>Debat<\/em>.<\/p>\n\n\n\n<p class=\"has-small-font-size\">10:45. <em>Descans<\/em>.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>11:15. Comunicacions lliures (II).<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Francesc Orts-Ruiz. <\/strong><em>Pres\u00e8ncia musulmana a les processons del Corpus Christi de la Corona d\u2019Arag\u00f3. Una tradici\u00f3 duradora.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Pilar Montoya Chica. <\/strong><em>La Fiesta de La Momeria (Barcelona, 1701).<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Joan Alepuz Chelet. <\/strong><em>El espejo sonoro de la liturgia: los toques de campanas en la catedral de Valencia entre la Cuaresma y la Pascua.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Robert Hidalgo Garc\u00e9s.<em> <\/em><\/strong><em>Paisajes sonoros hist\u00f3ricos y educaci\u00f3n en la ciudad de Sagunto.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Onofre Serer Olivares, Ana Mar\u00eda Botella Nicol\u00e1s, Rosa Isusi-Fagoaga. <\/strong><em>Dise\u00f1o, evaluaci\u00f3n e implementaci\u00f3n de la percusi\u00f3n hist\u00f3rica en centros de ense\u00f1anza de m\u00fasica.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">12:30. <em>Debat<\/em>.<\/p>\n\n\n\n<p class=\"has-small-font-size\">12:45. <strong><strong>Taula rodona<\/strong><\/strong>: <em><em>Programaci\u00f3, comunicaci\u00f3 i difusi\u00f3 del patrimoni musical.<\/em><\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">Modera: <strong>Alexis Moya<\/strong> (periodista). Participen:<strong> Carles Magraner <\/strong>(director Capella de Ministrers)<strong> Sergio Pag\u00e1n <\/strong>(periodista)<strong> Sen\u00e9n Florensa<\/strong> (director IEMED) i <strong>C\u00e9sar Rus<\/strong> (cr\u00edtic musical). <\/p>\n\n\n\n<p class=\"has-small-font-size\">13:45. <em>Debat<\/em>.<\/p>\n\n\n\n<p class=\"has-small-font-size\">14:00. Cloenda.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-4 kt-pane416_e4798e-a7\"><div class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">Inscripci\u00f3<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/div><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<p>L\u2019assist\u00e8ncia al congr\u00e9s i a totes les seues activitats \u00e9s lliure i gratu\u00efta. Els interessats hauran d\u2019inscriure\u2019s abans del 26 de mar\u00e7 mitjan\u00e7ant el seg\u00fcent enlla\u00e7&nbsp;<a href=\"https:\/\/www.eventbrite.es\/e\/entradas-iv-congreso-internacional-el-patrimonio-musical-de-la-corona-de-aragon-1244776523089?aff=oddtdtcreator\" rel=\"nofollow noopener\" target=\"_blank\">link<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Els qui participen amb comunicaci\u00f3, pr\u00e8via acceptaci\u00f3, hauran d\u2019abonar una quota d\u2019inscripci\u00f3 de 30\u20ac.<\/li>\n\n\n\n<li>Els qui desitgen participar com a assistents presencials. <br><\/li>\n<\/ul>\n\n\n\n<p><\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<p class=\"has-text-align-right\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<p class=\"has-text-align-center\"><strong>\u00bfNecesitas ayuda?<\/strong> Puedes escribir tus consultas a info.fund@culturalcdm.eu<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:67px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>IV CONGR\u00c9S INTERNACIONALEl Patrimoni Musical de la Corona d&#8217;Arag\u00f3 ELS M\u00daSICS: DE LA INDIVIDUALITAT A LA COL\u00b7LECTIVITAT Val\u00e8ncia, del 27 al 29 de mar\u00e7 de 2025 \u00bfNecesitas ayuda? Puedes escribir tus consultas a info.fund@culturalcdm.eu<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":432,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","footnotes":""},"class_list":["post-416","page","type-page","status-publish","hentry","entry","owp-thumbs-layout-horizontal","owp-btn-normal","owp-tabs-layout-vertical","has-no-thumbnails","has-product-nav"],"_links":{"self":[{"href":"https:\/\/culturalcomes.net\/ca\/wp-json\/wp\/v2\/pages\/416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturalcomes.net\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/culturalcomes.net\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/culturalcomes.net\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalcomes.net\/ca\/wp-json\/wp\/v2\/comments?post=416"}],"version-history":[{"count":5,"href":"https:\/\/culturalcomes.net\/ca\/wp-json\/wp\/v2\/pages\/416\/revisions"}],"predecessor-version":[{"id":4602,"href":"https:\/\/culturalcomes.net\/ca\/wp-json\/wp\/v2\/pages\/416\/revisions\/4602"}],"up":[{"embeddable":true,"href":"https:\/\/culturalcomes.net\/ca\/wp-json\/wp\/v2\/pages\/432"}],"wp:attachment":[{"href":"https:\/\/culturalcomes.net\/ca\/wp-json\/wp\/v2\/media?parent=416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}